Between the Lines Studios

May 11, 2008

Let’s Talk Joss Episode #004 - Buffy Season 8 Discussion

Filed under: Crew Profile, Lets Talk Joss — Aurey09 @ 12:18 am

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Andrew Ball (Buffy Between the Lines, Geek by Night), Heidi (Buffy Between the Lines, Joss’d), Kim Butler (Buffy Between the Lines, Joss’d, Upside Down & Halfway to Happyland), Emma Rawlin (Buffy Between the Lines, Joss’d), Ubiquirk (Buffy Between the Lines) & Tabitha Grace Smith (Buffy Between the Lines, Tales from the Verse, Strangely Literal, Joss’d, After Serenity) discuss the Buffy Season 8 comics! Want to send us an email? letstalkjoss@gmail.com

 
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April 9, 2008

Let’s Talk Joss Episode #003 - Love in the Whedonverse

Filed under: Lets Talk Joss — Aurey09 @ 8:00 am

Kevin Bachelder (The Signal, Farscape, Firefly Talk), Kim Butler (Buffy Between the Lines, Joss’d, Upside Down & Halfway to Happyland), Emma Rawlin (Buffy Between the Lines, Joss’d), Larissa (Buffy Between the Lines) & Tabitha Grace Smith (Buffy Between the Lines, Tales from the Verse, Strangely Literal, Joss’d, After Serenity) discuss love (romantic/friendship/family) in the Whedonverse!Want to send us an email? letstalkjoss@gmail.com

 
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March 8, 2008

Buffy Between the Lines Season 2 Casting Call!

Filed under: Buffy Between the Lines, Casting Call — Aurey09 @ 1:11 pm

castingcalls2.png

Since October of 2007 Buffy Between the Lines has taken the Buffyverse to a place it’s never gone before. Now you can join the production that is loved by fans and praised by critics. Fancy yourself as Oz? Harmony? Lilah? Cordelia? Or just want to be part of the international cast and crew that’s taking the fandom by storm?

Reminder: These are not all the parts we want to cast are up for audition. Even if you don’t feel like you are qualified - audition for a part anyways and we’ll find you a piece.

Auditions close March 21st!

Click here to see the audition pieces.

Click here for the audition FAQ.

If you have any further questions please email us buffybetweenthelines[at]gmail.com

March 5, 2008

Let’s Talk Joss #002 - Never Mind the Reavers!

Filed under: Lets Talk Joss — Aurey09 @ 5:00 am

Nick Edwards (The Signal, Sending a Wave, Buffy Between the Lines, Joss’d), Kim Butler (Buffy Between the Lines, Joss’d, Upside Down & Halfway to Happyland), Emma Rawlin (Buffy Between the Lines, Joss’d), Ginger Campbell (Brain Science Podcast and Books & Ideas Podcast), Larissa (Buffy Between the Lines) & Tabitha Grace Smith (Buffy Between the Lines, Tales from the Verse, Strangely Literal, Joss’d, After Serenity) discuss the Reavers from Firefly. Oh, and Tabz’ cat (Myboyfriend) decides to join in too.

Want to send us an email? letstalkjoss@gmail.com

 
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February 23, 2008

“Buffy Meant More Than Just Being Quiet”

Filed under: Episode Review — Present Memory @ 10:01 am

A Review of Episode 1 - Beginning at the End

The hardest thing in this world is to live in it.

We all know the beautiful sacrifice that Buffy Summers made to save her sister and the world. Her gift. She saved the world. A lot. But what happened after? What was the Scooby Gang busy with during those months without the Slayer? How about dealing with a menacing group of demon…bunnies?

Episode one of Buffy Between the Lines, “Beginning at the End,” does just that. Beginning directly Buffy’s death, the group begins to pick up the pieces, saying goodbye to their beloved friend and trying to make sense of the world without her.

But life on the Hellmouth waits for no one, and the Scoobies find themselves facing Doc, the demon who just won’t die, and a hoard of evil demon bunnies summoned by Andrew Wells (who was hiding safely in the closet.)

In just forty-five minutes, we’re given back story, answers to unanswered questions, a brand new character, and enough witty dialogue to fill the Joss shaped hole in all of our hearts.

What amazed me the most about this episode was all the groundwork that writer Tabitha Grace Smith was able to lay for future episodes. Not just for this awesome audio drama, but for the show as well. She showed us how lost Willow felt without her best friend, leading up to the spell which will bring the slayer back for Season Six. We got a glimpse of the nightmares that Spike spoke of, and a chance to see the inner turmoil of Rupert Giles through entries in his watcher diaries. And if you listen closely you might even catch a reference or two to the Buffy Season Eight comic series.

This show is a real treat for any Buffy fan that has been searching for more of their favorite slayer since the show ended its run in 2003. It’s already fantastic, and it’s only going to get better. The cast and crew deserve massive thanks for the enormous amount of effort and love they’ve put into bringing Buffy Between the Lines to life.

Quote of the Episode Award goes to:

Tara: We’re going to miss how you made us more. More than just—just friends. We’re family. Thanks for making us your family.

February 14, 2008

Writing the Whedon Way

Filed under: Writer Profile, Writing — Kevin Cummings @ 8:00 am

Writing has never been easy for twenty-two-year-old Emma Rawlin, but inspired by her hero Joss Whedon, she is making a name for herself in the realm of fan fiction. Since 2007, Emma has been one of the writers on the ambitious Buffy Between the Lines.

As Emma describes it, “Buffy Between the Lines is an audio drama based around the show Buffy The Vampire Slayer and is set between seasons of the series. It’s non-profit, fan created and tries to stay as true to the show as possible.”

Emma’s involvement started early in the project when lead producer Tabitha Grace Smith announced it on her Live Journal page. Tabitha had read some of Emma’s fan fiction and was pleased to have her as part of the writing team. As the series began to take shape, the writing team mapped out season one including details about where each episode would begin and end, what key events had to take place, and which characters would be highlighted. This framework gave the writers an opportunity to explore the story space on their own and inject their particular talents into the project.

One of the challenges lies in getting the characters to “sound” right. Emma has been a fan of the original Buffy since the age of thirteen, so the voices often come naturally. When they don’t, she finds an episode that features the particular character she’s struggling with, and watches it again. Some characters, though, come to her more easily than others.

“Being the only British writer on Buffy Between the Lines, I perhaps feel more comfortable with Giles’ and Spike’s voices than others.”

For the upcoming second season, Emma notes that the stories outlines are more detailed and more writers have joined the project. It’s also taking place at a different point in the Buffy-verse.

“It’ll be set in between season 2 and 3; we realised that there were a lot of potential stories there to tell. There are a lot of characters you might not expect to see, and that perhaps didn’t get much screen time in the show. And, we actually have Buffy in this season too.”

Although Buffy Between the Lines was Emma’s first audio project, she’d already written quite a bit of
fiction; both prose and scripts, original and fan fiction. Writing for Buffy has helped develop her skills.

“I think my dialogue has gotten stronger, and my storytelling has gotten tighter – all my scenes tend to have a purpose or at least get to the point quicker. I think it’s also given me some confidence in my writing ability that I didn’t have before.”

That’s no small statement for Emma who as diagnosed with severe dyslexia at age eight.

“I had a private tutor,” she says, “not because my family were rich – because I was that bad.”

This disability gave her an unusual history as a writer. The dyslexia kept her from reading many novels before the age of eighteen; although she’s always loved stories.

“I watched a lot of TV, and begged relatives to read to me and my happiest times at school (not many of those) were when the teacher would read stories to us.”

Finding Joss Whedon was something of a revelation to her.

“I know … how very fangirl of me … but his characters, his dialogue, his stories … I loved them so much I wanted to do that too. I guess imitation is the sincerest form of flattery after all,” she says.

Determined to learn to write, she studied, finding Anne Lamott’s advice in Bird by Bird, to be particularly useful. Based on what’s she’s learned, Emma offers this advice to other aspiring writers, “You’re probably not going to be good at it straight away, but just keep going. Also, read a lot, and read a lot on writing from other writers. Write a lot and remember you can never know enough about writing.”

Following her own advice, Emma is hard at work on season two including co-authoring the season two finale with Executive Producer, Tabitha Smith.

February 11, 2008

Voice Actor Profile: Cliss (Tara)

Filed under: Crew Profile — bakatulip @ 10:10 pm

Name: Cliss

Role Played on Buffy Between the Lines: Tara

What do you love about your character?: “What’s not to love about Tara? I guess one of the things I most like is that she has this inner strength that I really admire. I mean, when something really didn’t seem right to her or if she believed in something wholeheartedly, she spoke up and let herself be heard.”

Favorite Buffy Character (and why): “I don’t know! It changes every single time I watch an episode of Buffy! LOL. Right now, though… I’d have to say it’s Faith, because I can relate to her (not with the homicidal crazy thoughts, though). She’s a misunderstood girl who had a tough childhood… plus she’s kick-ass!”

Currently Listening to: “I have a mix on my iPod right now with some Jimi Hendrix, Cranberries, Snoop Dogg, Billie Holiday, Korn, and this one Mexican group called Mana.”

Other things you’ve done that you’re proud of: “I baked a cake the other week, and it didn’t burn!”

Favorite thing that your character has said: “My favorite thing she’s said in BBtL is probably the speech she gave in the graveyard when the scoobies are saying bye to Buffy.. It made me all teary-eyed every time i read it. Damn! That just destroyed my tough-girl rep!”

February 5, 2008

Let’s Talk Joss #001 - Why Joss?

Filed under: Lets Talk Joss — Aurey09 @ 10:57 pm

Nick Edwards (The Signal, Sending a Wave, Buffy Between the Lines, Joss’d), Kim Butler (Buffy Between the Lines, Joss’d, Upside Down & Halfway to Happyland), Emma Rawlin (Buffy Between the Lines, Joss’d) & Tabitha Grace Smith (Buffy Between the Lines, Tales from the Verse, Strangely Literal, Joss’d, After Serenity) discuss why we’re such huge fans of Joss Whedon’s works, why fans are so obessesed and what we love about Joss’ works.

Want to send us an email? letstalkjoss@gmail.com

 
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January 29, 2008

BtLS Presents: Let’s Talk Joss - Promo

Filed under: Lets Talk Joss — Aurey09 @ 10:59 pm

letstalkjoss_itunes144.jpgOur promo. Feel free to share or play on your own podcast! Promo features Nick Edwards, Clay Robeson, Les Howard, Kim Butler and Brian Brown.

Let’s Talk Joss. A monthly roundtable where Joss afficianatos congregate to discuss deeper topics related to Joss Whedon’s work. While focusing mainly on Buffy, Angel and Firefly, nothing Joss is off limits.

 
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November 29, 2007

Between the Lines Studio is looking for some crew members!

Filed under: applications, crew — admin @ 12:14 am

Buffy Between the Lines Season 2 will start in the Spring of 2008 and we’re looking for crew members. Click here to download the application (Word Document) and email it to us.

Most crew positions will run from March 2008 - Sept 2008 (this is an estimate).

Beta readers will be busy during Jan and Feb of 2008.

Managers will be busy from Jan - Sept 2008

Cast Positions Available for BBtL Season 2:

Crew Manager: Will make sure all crew deadlines are met (editors and everything from the Writing Manager, the Talent Manager, PR Manager and Music Manager). Must be extremely organized and be readily available to the Producers. Basic Excel skills required. Reports directly to producers. Time commitment: 3-4 hours a week.

Assistant Crew Manager: Will help Crew Manager with duties. Time commitment: 2-3 hours a week during production.

PR Manager: Organize the Bloggers, street team, podcasting liaison and public relations crew. Must be extremely organized and be readily available to the Producers. Basic Excel skills required. Reports directly to Crew Manager. Time commitment: 3-4 hours a week.

Bloggers/Writers: PR writers to write press releases and stories about the Between the Lines crew and cast. These guys will interview cast members and blog about it on the official Between the Lines blog. Need to be experienced in blogging, using WordPress and writing news and press releases. Please attach two samples of your writing to this application. Reports directly to the PR Manager. Time commitment: 1-2 hours a week.

Street Team: These people get “assignments” of things to do online to help promote the Between the Lines podcast. These assignments are usually brief and require basic online skills (like registering at sites and posting information). Reports directly to the PR Manager. Time commitment: less than an hour a week.

Public Relations: These are the people who contact bloggers, podcasters and other websites about interviewing or reviewing the podcast. Good written communication skills needed, as well as a basic understanding of the internet and the Between the Lines studios. Our public relations staff are the “face” of our production to the outside world so they must be uber professional. Reports directly to the PR Manager. Time commitment: 1-2 hours a week.

Podcasting Liaison: This person manages our promos and getting it on other podcasts. Must have a very good knowledge of the podcasting com-munity and the ability to do some research by listening to the podcasts they think to pitch. Must also know how to FTP and keep promos organized so we can swap them with others. Reports directly to the PR Manager. Time commitment: 1-2 hours a week.

Feedback Wrangler:
Finds reviews, comments and feedback for episodes. Knowledge of Bloglines, Google search and iTunes necessary. Reports directly to the PR Manager. Time commitment: 1-2 hours a week.

Editor Manager: Organize the editors and make sure deadlines are met. Must be extremely organized and be readily available to the Producers. Basic Excel skills required. Reports directly to Crew Manager. Time com-mitment: 3-4 hours a week.

Sound Editing (basic):
This level of sound editors are only responsible for editing out all the bloopers and misspeaks for the intermediate editors. Very basic editing skills needed. If needed we can teach people how to do this. Reports directly to Editor Manager. Time commitment: 2-4 hours a week.

Sound Editing (intermediate): This level of sound editors are only re-sponsible for putting together the voices for the scenes. Knowing how to use multiple tracks in your editing program is required. Also use of Levela-tor. Reports directly to Editor Manager. Time commitment: 2-4 hours a week.

Sound Editing (advanced): This level of sound editors are only for those VERY high experience with editing. These editors will take the voices and add all of the necessary effects including extra tweaking to make sure sounds match. Reports directly to Editor Manager. Time commitment: 2-4 hours a week.

Music/SFX Manager: Create lists and due dates for finding sound/music for episodes. Assist in finding them and managing the Music/SFX Finders. Reports directly to Crew Manager. Time commitment: 3-4 hours a week.

Original Music Creators:
If you can compose and create original sound-track style music for our production, please attach three samples to this application. Reports directly to Music/SFX Manager. Time commitment: dependent on what is needed.

Music/SFX Finders: These guys come up with lists of needed SFX and music based on scripts and then find them. Websites will be provided. Re-quires a lot of listening. Reports directly to Music/SFX Manager. Time commitment: 1 hour per week.

Foley Artists: People who can record needed sound effects that can’t be found online. Please attach two samples of sound effects you have re-corded to this application. Reports directly to Music/SFX Manager. Time commitment: dependent on what is needed.

Beta Readers: There are two types of beta readers - one is the style/grammar type. The other are consistency/content type. We need both. If you know any of the TV shows well and can point out continuity errors - we need you. If you are one of those people who noticed I misuse paren-thesis a lot, we need you too. Reports directly to Writing Manager. Only needed to read through all scripts during the first and second drafts (These positions are full).

Assistant Talent Manager: Our Talent Manager takes care of making sure everything is in on time from our voice talent. As an assistant talent manager you will be working directly with the Talent Manager by checking to make sure files are in. Requires basic Excel knowledge. Reports directly to Talent Manager. Time commitment: 1-2 hours a week.

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